From Communion to Conflict: Sacred Duty and Secular Struggle in Hemingway’s War Epics

Authors

  • Ioana Constandache Dalarna University, Högskolegatan 2, 791 88 Falun, Sweden

DOI:

https://doi.org/10.36941/mjss-2024-0048

Keywords:

Spanish Civil War, language, tragedy, human unity, mortality

Abstract

Ernest Hemingway’s For Whom the Bell Tolls delves deeply into the themes of time, mortality, and the human condition, concentrating on the agonising seventy hours that precede the protagonist Robert Jordan’s final act. The work explores universal themes like love, loyalty, and the unavoidable meeting with fate, moving beyond the immediate context of the Spanish Civil War. Hemingway deftly mixes chronological projections, flashbacks, and a foreboding sense of impending doom to portray the complex moral structure of his characters. This results in a rich picture where bravery coexists with cowardice and compassion with violence. The novel’s language duality—a blend of Spanish and English—enhances the story and lends it an epic, vivid tone that is evocative of Elizabethan theatre. The analysis situates For Whom the Bell Tolls within the canon of classical tragedy, highlighting the characters’ valiant resistance to fate as well as the precise unity of time and space. Hemingway creates a story that is both a profound meditation on personal sacrifice and a broader articulation of human unity in the face of group peril by fusing the immediacy of action with the eternal quality of love. The novel’s lasting importance stems from its capacity to convey the spirit of the human being, caught between the fleeting moment and the never-ending battle with mortality.

 

Received: 5 September 2024 / Accepted: 9 November 2024 / Published: 20 November 2024

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Published

2024-11-20

How to Cite

From Communion to Conflict: Sacred Duty and Secular Struggle in Hemingway’s War Epics. (2024). Mediterranean Journal of Social Sciences, 15(6), 1. https://doi.org/10.36941/mjss-2024-0048