Supplements to the Study of African Works of Art

Authors

  • Olufemi Joseph Olaleye-Otunla A.G. Leventis Museum of Natural History Obafemi Awolowo University, Ile-Ife, Nigeria

DOI:

https://doi.org/10.36941/mjss-2022-0024

Keywords:

Art history, art authentication, provenance, compositional information

Abstract

For many years, the history of the arts, crafts and connoisseurship has been determined using the sensory organs; with the introduction of technology, researches in the sciences have found their ways into the study of humanities and the arts.  There exists recently additional modern, genuine and acceptable ways of assessing art historical studies other than the traditional sensory means - sight and touch. There is the need for art historical studies now to be more advanced, viewed from a global standard. Apart from formal, iconographic and iconological analyses, art historical studies of the 21st century attends to other pressing evidence and developments with the use of hi-tech and the embrace of scientific approach to studying works of art. Qualitative and evaluative modes of research have been employed for this discourse; it concludes with recommendations to research institutes and African governments to show interest in material compositional information of African art objects for their scientific and historical significance.

 

Received: 27 March 2022 / Accepted: 30 April 2022 / Published: 5 May 2022

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Published

2022-05-05

Issue

Section

Articles

How to Cite

Supplements to the Study of African Works of Art. (2022). Mediterranean Journal of Social Sciences, 13(3), 62. https://doi.org/10.36941/mjss-2022-0024